If you have never heard of Port Blue, then right now slap yourself on the wrist because you have missed out on an ambient experience that can only be described as breathtaking and undeniably beautiful. I have never been able to describe what makes the combination of notes and sounds that piece together an unmistakable beauty so capturing. But the fact is that Port Blue, is the work of a master.
Port Blue is the creation of Adam Young, the mad genius behind the more famous project Owl City. He is an accomplished producer and musician who has the ear for magic.
Port Blue is nothing more than instrumental and background noise combined together to make some of the more fascinating music of the 2000s. His first work with Port Blue began with the full length album The Airship in which he based his writing off of the Kenneth Oppel’s book Airborn. Although some of the song titles were changed due to copyright issues, the feelings that take you on a sailing ship of wonder and imagination whenever you listen to this album are magnificent. I will never forget the first time I discovered this album and listened to track number four, “Sunset Cruiser (AKA Mr. Chen, Sailmaker).” I fell in love. There is so much to say about each song so I will just start at the beginning.
#1. Up Ship!
This first track consists of a mainly a piano and a sampling from what sounds to be a jet taking off. The sweeping melody brings you in and takes you straight up with the airship that is taking off into the sky. This also coincides with the second chapter of Airborn.
“Up Ship!”
#2. Over Atlantic City (Over Lionsgate City)
This track starts off with a French phrase which when translated comes to, “It’s funny, or At the time I was employed in the office of inventions, I wondered what our world would look like if I moved at the speed of light going up on a motorcycle ….” Some say this was said by Albert Einstein which I can neither confirm or deny. But nevertheless it adds a strange ambience to the song that pulls you in. With a catchy beat and converging piano it makes for a wonderful song. It comes together with the departure of the airship the Aurora as it flys over Lionsgate City in Airborn.
“Over Atlantic City (Over Lionsgate City)”
#3. The Grand Staircase
By far one of my favourite tracks on this album. The synthesizer that makes those repeating two notes that last the song is so beautiful and fills you with the exact sense of going up and down a staircase. It’s incredible. The beat is also similar to just taking steps on a staircase almost. This song is actually named after the grand staircase aboard the Aurora in Airborn where Matt Cruse and Kate de Vries begin the ship’s tour near the book’s beginning.
“The Grand Staircase”
#4. Sunset Cruiser (Mr. Chen, Sailmaker)
This song takes the cake as my top favourite on the album. No question. When at first glance, it’s eight minute long time seems a bit daunting. But once you begin the song, you completely forget and lose yourself in what can only be described as perfection. This song has helped me drift and daydream many a time. It also includes a sampling from the movie Sleepless in Seattle, and a clip from an unknown sermon. The only significance to Airborn that this song carries is that it was originally named after a sailmaker that only appears a couple times in the book. He is not a major character, but he does pop I will admit.
“Sunset Cruiser (Mr. Chen, Sailmaker)”
#5. The Axial Catwalk
The Axial Catwalk. The song starts off almost completely silent save for the tweeting of birds and the distant sound of passing cars. And then the piano begins. And then you’re hit with the beat. The original version also contains another sermon sampling that I am unable to determine its location but you do not need to know where it’s from for it to be worth something. The many different sounds that come into this song are numerous from the piano all the way to an accordion at the end. The inspiration that evoked this song from Airborn was the same named catwalk on the ship that is mentioned several times throughout the book.
“The Axial Catwalk”
#6. Of the Airship Academy
This song is interesting. It’s a softer song with a quiet synthesizer and the muffled sounds of several people conversing. Later on in the song you are introduced to the ambience of what sounds like a water wheel turning or so you are led to believe….but all in all it comes to be another favourite off the album. It’s significance with Airborn is the moment when Matt finds out that someone else is taking his place as a sailmaker aboard the Aurora. You can hear the sad undertones of the song that eventually get to a happier sound at the end.
“Of the Airship Academy”
#7. In the Control Car
A short, little diddy that makes you want to hit the replay button over and over again. A nice song with a catching hi-hat and a repeating tune that you can play over and over again in your head. Also ends with an organ. Airborn coincides with its main operating station being called the control car.
“In the Control Car”
#8. Under the Glass Observation Dome
This is a most ostentatious piece that seems to sweep you in in the beginning and then lull you into a sweet sense of wonder. You can hear the glass cracking around you and you can see the stars coming ever closer. The glass observation dome is actually where we first find Mr. Matt Cruse in the beginning of Airborn. Sit back and join Matt as you both scan the night skies for any dangers that may be impending upon the Aurora.
“Under the Glass Observation Dome”
#9. Into the Gymnasium (The Resilient Miss Kate de Vries)
I believe the second album title fits just a tad better only because it describes exactly what is going on in this little melody. I did not fully appreciate this song until I heard it through the glorious double pleasure of headphones. You can hear ever so slightly in the background the sounds of what I believe is supposed to be a jungle. I conjured this belief due to the fact that the latter title refers to when Kate refuses to obey orders and runs off into the jungle on the island they are stranded on in order to research the “cloud cats.” Hence the “jungle” noises. Listen to this song with headphones. You’ll understand what I mean.
“Into the Gymnasium (The Resilient Miss Kate de Vries)”
#10. The Cargo Bay (The Cargo Bay and Aft Hatch)
Both names of parts of the Aurora this song provides an interesting ambience. The sound of something being processed in a factory or being packaged quite possibly is what greets your buds at the beginning. And then you are settled into a stretching synth pattern that ends with an uncontrollable and large string orchestra playing the sweetest and saddest tune you’ve ever heard in your life.
“The Cargo Bay (The Cargo Bay and Aft Hatch)”
#11. Arrival at Sydney Harbour
“Now, gentlemen, in this country, ourcourts are the great levelers. In our courts, all men are created equal. I’m no idealist to believe firmly in the integrity of our courts and of our jury system – that’s no ideal to me. That is a living, working reality!”
This is a quote taken from the 1962 film version of To Kill a Mockingbird. The quote is stated by our very own Atticus Finch and is also the titler that starts off “Arrival at Sydney Harbour.” Of course in the final released version it was taken out for copyright purposes, but I believe it sits well with the song. The song also boasts a soothing guitar and killer drumbeat and piano to play along with it. The song fits in well also with the arrival of the Aurora to its intended destination of Sydney, Australia in Airborn.
“Arrival at Sydney Harbour”
#12. The Gentle Descent (The Descent)
This song doesn’t seem to really need to be explained except that it is the perfect method of stringing notes together to create a beautiful, synthetic sound to make your eardrums and heart melt. As the Aurora lands softly in Sydney at the end of Airborn you will hear this song playing in the back of your head.
“The Gentle Descent (The Descent)”
#13. At Anchor
The final song that ends off the masterpiece The Airship is the titled “At Anchor.” It is the end of a finely written album and a finely written book. The footsteps and crowd ambience that hang with you until about 2:20 into the song, our immediately replaced by a headbanging beat drum for the ages and a soft piano that under normal circumstances would never be friends until you hear this song and know now that they will forever be friends. Then 45 seconds after they’ve left, the footsteps return to click along perfectly until they send you off home at the end. Perfect.
“At Anchor”
All in all, this album holds no flaws to my ears. I love it. And I forever will wish that Adam Young finds it in his heart to release more Port Blue masterpieces for our listending ears. I myself cannot wait for that day. Also an author’s note for you, if you have never read Airborn by Kenneth Oppel, I immediately suggest you go to your local bookstore and purchase a copy because that book is very much worth the read. Every page is a new adventure just like every Port Blue song.














